Website update 2020-2024
Website update December 2024
To end another successful poetry year, here are some quotes received about Somewhere a Tree waits for an Angel or a Butterfly.
There's longing & yearning in this slowed-down world, as the poet observes, absorbs the small details of life, of love, of all that's gone before, of all that's lost. Some great original & arresting images.
Heart shaped nature poems.
Your beautiful poems have quickly become some of my favourite poems ever.
One of the most beautiful little books I have seen in a long time.
You really are such a subtle and lyrical poem.
This book is exquisite.
A superb review by wonderful poet and reviewer David Mark Williams appeared in The Lake poetry webzine, it can be read in full here
The Lake - contemporary poetry webzine - Oct24
thelakepoetry.co.uk
And finally if you would like to listen to some of Eileen's poetry, she was featured on the poetry podcast A Thousand Shades of Green.
You can hear poet and podcaster Susan Richardson's beautiful reading here
Eileen Carney Hulme | A Thousand Shades of Green
bhrater.podbean.com
2020
Eileen had many poems published in print and online poetry magazines, since this website was last updated in 2019. She is enormously grateful to those editors and poets who have supported and published her work. Here are some of the highlights.
During the first covid lockdown Eileen came across the twitter page of Cobh Readers and Writers suggesting poets in lockdown write a poem a day according to five randomly chosen prompt words, and to respond to other poems.
Inspired by this idea Eileen began to take part and connected with a few other poets doing the same. At the end of three months Eileen had completed around 100 poems, some of which have gone on to be published in print and on poetry websites. Thanks are due to fellow poets who took part and in particular to Ruairi de Barra who posted the daily prompts and responded generously.
In June 2020 gifted poet, literary critic, reviewer and freelance scholar, Richie McCaffery, published 3 of the poems on his website page Lyrical Aye Poems:
Three Prompt Poems by Eileen Carney Hulme
And in the same week Richie published a further 4 of Eileen’s poems:
Four Poems by Eileen Carney Hulme
Throughout 2020, 2021, 2022 and 2023 Eileen had a number of poems published in the beautiful eclectic and much celebrated monthly poetry magazine Reach Poetry (Indigo Dreams) edited by Ronnie Goodyer. Huge gratitude to Ronnie for continued support.
In May 2020 Fragmented Voices published online two of Eileen’s poems from her 3rd collection The Stone Messenger (Indigo Dreams)
Two Poems by Eileen Carney Hulme
In November 2020 Eileen took part in the wonderful Eat the Storms Poetry Podcast season 1 episode 10, reading several poems. Thanks are due to fabulous podcast host, producer and poet Damien B Donnelly.
In December 2020 Eileen’s poem Choosing a Stone was among the winning entries of Cupid’s Arrow Poems of Love competition. It was published in the winning writer’s anthology by Hedgehog Poetry Press. Many thanks to Mark Davidson.
2021
In 2021 Eileen’s poems continued to appear in various poetry magazines and online poetry places.
These include 2 poems, Bearings and Nave chosen to be published in the superb anthology Locked Down, published by Poetry Space and edited by Susan Jane Sims.
Also in 2021 Eileen’s poem Sacred to Lovers was published in the tremendous anthology Summer Anywhere published by Dreich and edited by Jack Caradoc.
In April 2021 Eileen had 2 poems published in the anthology Dark Confessions published by Black Bough Poetry, edited by Matthew M.C. Smith, illustrations by Swansea designer Darren Green. This was the first of two books dedicated to rock singer Jim Morrison.
Poet John McCullough said of this publication ‘…an intimate anthology…sizzles with imagination. A raw and potent gathering.’
2021 saw the publication of an exciting new poetry book titled Dear Dylan. Poems written to and after Dylan Thomas, the anthology was published by Indigo Dreams and lovingly edited by Ronnie Goodyer and Anna Saunders and contained an introduction by Hannah Ellis, Dylan’s granddaughter. Eileen’s poem Dancing at Bar Inbhir Éireann is included.
In November 2021 Eileen had a showcase of 5 poems published by Indiana based poet and editor David L O’Nan on his excellent Fevers of the Mind Poetry, Art and Music Website:
Poetry Showcase by Eileen Carney Hulme
2022
In January 2022 as part of The Broken Spine’s Angels and Dogs Poetry Project, Eileen had her poem Sarajevo chosen and published online.
Also in January 2022 Eileen had a poem published in the gorgeous Dublin based The Storms Journal issue 2. Chief editor is Damien B Donnelly and sub editor for this edition Eilin de Paor. More info about the journal here:
The Storms
In June 2022 Eileen had 2 winning poems published among those chosen from entries for the Hedgehog Poetry Cult Challenge ‘Face in a Crowd’. This brilliant challenge was the photo of a girl in a crowd, write a poem naming her and imagine what is going on in her head.
In July 2022 Eileen was announced as winner of the July Hedgehog Poetry Press challenge ‘Autumn Nights’. For her poem Inlets she received 2 stunning Bristol Blue wine glasses, publication in a special Stickleback anthology and entry into the Forward Prize.
Eileen’s poem If Ghosts Could Speak was published in a fascinating anthology A Duet of Ghosts-Poets in Conversation published by Black Bough Poetry and edited by Jen Feroze, cover and illustrations by Welsh artist Charlotte Baxter. ‘The poems present a deep and delicate conversation between writers.’
In December 2022 Eileen’s poem December Stilled was published by Black Bough Poetry in their lovely Christmas Winter vol.3 anthology of micro poems, edited by Welsh poet Matthew M.C.Smith, sub editors Damien Donnelly and M.S.Evans and beautifully illustrated by artist Emma Bissonnet.
2023
The January edition of Reach Poetry, edited by Ronnie Goodyer, always contains the list of winners of The Reach Poetry Awards based on votes by the readers of the magazine over the course of the year.
Eileen is thrilled and delighted to announce she won 2 prestigious awards Poet of the Year and also Poem of the Year. Huge thanks to Ronnie and fellow poets.
Eileen’s poems also featured again in a second showcase published by Fevers of the Mind, edited by David L O’Nan
Fevers of the Mind
Also in 2023 David selected Eileen’s poem Things I Share with Sylvia to be published online and then in the print anthology The Poetica Sisterhood of Sylvia and Anne, poems inspired by Sylvia Plath and Anne Sexton.
2 of Eileen’s poems A Lover’s Scent and Tongues of the Sea were among the winning poems in The Hedgehog Poetry cult challenge’ The First Cut Won’t Hurt At All’ and published as part of the winning stickleback anthology of the same name.
Cobh Readers & Writers International Poetry Competition 2023 was rather special as it was dedicated to rock legend Rory Gallagher on what would have been his 75th year and invited entries celebrating Rory. Eileen was happily surprised to have a poem highly commended.
2024
Eileen is delighted to have the opportunity to share a wonderful essay on the subject of her poetry that she received from a much respected and admired author Mike Fox. This took Eileen completely by surprise and she is very grateful to Mike for his close reading and study of her work.
Read it in full below:
Eileen Carney Hulme
The post-Jungian, Richard Hillman, when considering the drives within human experience, makes an interesting distinction between soul and spirit. He describes soul as existing within a horizontal plane, and hence concerning itself with the mundane, the personal, the minutiae of one’s life, with those things, and people, to whom we form an attachment, and through whom we find identity and self-description. Spirit, however, he relates to what might be called a vertical impulse, to elevated perspectives, uplift, aspiration, and the possibility of transcendence.
Reading and re-reading the poetry of Eileen Carney Hulme, I’m struck by how often these drives find expression and are able to co-exist within even the shortest poem. To give an example:
we do not talk of rain
we sit at the cliff edge
with the sea lashing
and the years tumbling
backwards, air stinging
with promises not kept.
You repeat
we should stay here forever
the words are old
but still I want to wrap them up
carry them away with me
and on other days unwrap them
let them slip through my fingers
like glittering sand jewels
recently weathered.
After all this time – from The Stone Messenger
I hesitate to describe this beautiful poem as typical because, distilled and deeply crafted as Eileen’s poems are, I find in them a free-spiritedness and non-conformity which belies expectation based on what one might have read before. However it does contain a sense of paradox, even duality, that is characteristic, particularly in the love poetry. The polarities of immediacy and retrospection, nearness and distance, immersion and detachment, and, in particular, intimacy and its absence, may all sit next to one another in a single poem.
Characteristic also is a strong transpersonal element, a sense of larger forces at play, so that the intensely personal might be contextualised by the ambience of the natural world, the present moment by a sense of the passage of time, the textures of day-to-day experience by a hovering of things numinous, almost visible.
It is interesting that this poem starts in first person plural, moves briefly to second person singular, and then finds resolution in first person singular. This fluent shift of perspectives, another distinctive aspect of Eileen’s writing, enables her to convey both the pleasure and ambiguity of relationship, the sense that, however close we are to another, our perception and experience – our way of being in the world – is ultimately ours alone.
To give another example:
The mason bee
lays its eggs in autumn
you say, after mating
the male dies
you carry these facts around
from bothy to bothy
shore to shore
come with me, you tease
and for a while I do
we gather landscapes and seascapes
you teach me cloud trickery
the reading of skies.
Tonight I’m holding your hand
the sky threatens blue
as you are drip-fed another day
when the lights dim
I lay my head on your chest
sweet, you say
as walls close in
and machines hum.
Inlets
This poem, for me, highlights another characteristic trope: the sense of time as a hinterland, of things previous that attend the present moment, perhaps enriching it, perhaps adding complexity. However small the occurrence being described, the reader gathers that much has happened before, or since. The fact that the writing is so distilled, and hence spacious, adds to this awareness of things unsaid. To borrow a phrase from Julian Barnes, each line ‘does so much work’. The light style belies the rich content: these are poems that punch far above their seeming weight.
The allusive, story-telling quality in this poem is also characteristic. The told and the untold sing together. When I read the first stanza I felt my expectation was being primed, and yet nothing that might be expected follows. Instead it creates an atmosphere that hovers over the poem, leaving the reader to draw inference should he or she wish. Similarly, as in other instances of Eileen’s love poetry, a very understated eroticism emerges as the poem progresses. Again, little is said, to much effect.
I also particularly love the line ‘as you are drip-fed another day’. It could mean many things, but it’s left to the reader to imagine what they might be, and in its light to
consider the rest of the text more deeply. Then somehow in the final stanza the narrative seems to be subverted, and again the reader wonders. Does it mean that an idyll is always time-limited? Or that the relationship can only thrive in certain conditions? Or that a less ethereal world is always threatening to close in? It’s this quality that sustains the poems of Eileen Carney Hulme in the reader’s mind. They engage, they provoke reverie: they beg our collaboration to look questioningly beneath the polished beauty of their craft, towards deeper things
Mike Fox
To read more about author Mike Fox please visit his website and read some of his outstanding short stories.
Polyscribe
The poem Inlets won the July Hedgehog Poetry Press challenge ‘Autumn Nights’. For her poem ‘Inlets’ Eileen received 2 stunning Bristol Blue wine glasses, publication in a special Stickleback anthology and entry into the Forward Prize.
As the website hasn't been updated for a long time and it's December, Eileen is doing her own version of the 12 days of Christmas by choosing 12 poetry successes among many to mention.
Thank you if you have stopped by to take a look, it's very much appreciated.
Eileen is grateful to the editors and poetry magazines that have supported and published her work.
Thanks to: Indigo Dreams Publishing, Eileen was extremely pleased to be voted into 3rd place in the Poet of The Year Annual Reach Poetry Awards for the year 2018.
On a number of occasions throughout 2018-2019 Eileen had poems published in Reach Poetry and had some of these poems voted into the top 3 by the readers of the mag and received a small cheque for each of these wins. The only poetry magazine in the UK that offers 3 poets cash prizes every month according to the votes of the readers. Visit the Indigo Dreams website and see what they do, here is my page created by editor Ronnie Goodyer
Had a poem chosen for the amazing anthology For The Silent, published by Indigo Dreams, aiding the work of The League Against Cruel Sports.
Hedgehog Poetry Press, Eileen was delighted to win the The 1st Annual Cupid's Arrow Poetry Competition for her love poem What do we know of Time. For this she received prize money and 500 poetry art cards containing the poem.
Thrilled to have her poem Under A Budding Trees Moon become a Fauxlaroid after winning a challenge from Hedgehog Poetry Press and voted for by readers.
Honoured to have the opportunity to interview the wonderful and much-loved poet Brian Patten for the magazine Arfur published by Hedgehog Poetry Press.
Happy to be included in the competition winners' anthology The Road to Clevedon Pier.
A portrait poem will appear in an anthology of portrait poems to be published in 2020.
Thrilled to have 2 photographs and a poem chosen for The Hedgehog Poetry Press 2020 calendar.
Honoured to announce this from award winning composer Dr Mark Keane's website "recent compositions for mixed voice choirs include the setting of Eileen Carney Hulme's poem Belonging."
This is published by CailÃno Music Publishers in Ireland. Mark is a music graduate of Trinity College Dublin and the DIT Conservatory of Music and Drama and is Organist and Director of Music at Tuam Cathedral, Co Galway, and Head of Music at Galway Community College.
Eileen was delighted to be the first poet published on the new and very lovely poetry magazine website The Beach Hut with her poem How safe the distance.
Finally, on a happy poetry note to end 2019 Eileen's poem This, my once hometown will be one of eight poems to be published in 2020 by Hedgehog Poetry Press on the theme of My hometown in winter
The Stone Messenger is the third collection of poetry by Eileen Carney Hulme, a poet with a distinctive and unmistakable voice. The collection focuses on loss, particularly the loss of her parents, and in a broader arena, the impact of war in a series of poems set in Sarajevo. Underlying these themes, however, is a recurrent evocation of our relation to the physical world, which while temporary and subject to change offers also beauty, joy and the possibility of transformation. One of Hulme's strengths is her celebration of everyday life, our bitter sweet existence, in imagery, sometimes elemental, sometimes domestic, and deployed in leitmotifs throughout the collection: skies and sea, bones and buttons, coffee and conversation, clouds and the colour blue.
Running through her work too, and perhaps easily overlooked, is a gentle humour which offsets some of the difficult aspects of life which she does not shrink from addressing. An example of this is to be found in Closer than Breathing, relating a chance encounter with a man on the bus to Findhorn speaking of where eternity is to be found and another is the iteration of 'dobro' in Scotland to Sarajevo:
...I know little
of the language, I know dobro
means good, a useful word ...
the weather is dobro
the food is dobro
the people are dobro
Today I walk
the Findhorn Road,
word-ghosts trip me up
cloud-fall trails
like an afterlife
this is the last road ...I walk. (Things I Never Said)
My father's heart
cannot be found.
Its shadow can be seen
in the eyes of startled trout...
My father's heart cannot be found
I hold it lightly in my palm. (Leaving the Funeral Home in Enniskillen)
Reviewed by David Mark Williams, more info here.
As the year draws to a close it is lovely to reflect on all the support and wonderful comments about my 2nd poetry collection 'The Space Between Rain' that have either been posted, emailed or generously given after readings. Thanks to everyone and may I take this opportunity to wish you all a very warm and happy festive time. ~ Eileen
Nov/Dec
Recently The IDP Annual Poetry Award Competition results were announced and Eileen's poem 'While You Were Out' made the final shortlist of five and was Highly Commended.
Eileen has already had a number of poems accepted for publication in poetry magazines in 2011 and is very proud to announce she will have a poem in the anthology 'Soul Feathers' which will be helping to raise funds for Macmillan Cancer Support. Some other poets in this book include Leonard Cohen, Bob Dylan, Seamus Heaney, Carol Ann Duffy, Sharon Olds and Maya Angelou. Further information can be found
here.
Eileen Carney Hulme was born in Edinburgh and is proud of her Scottish/Irish Celtic background. She is a qualified Aromatherapist and Reiki Master and lives in the beautiful north east of Scotland. Her work has been published widely in many small press magazines and three of her poems were chosen for inclusion in the all female anthology 'boho women peeling oranges'.
She has been placed or highly commended in a number of poetry competitions including Indigo Dreams Press, Partners, The Dawntreader Awards, City of Derby Short Story and Poetry Competition, Coffee House Poetry, Shelagh Nugent Awards and The Hastings International Poetry Competition. She has been shortlisted or won prizes in several online poetry workshops or competitions.
Her work was included in the CD/Anthology verse with voice project, Poetry off the Page.
Among a number of anthologies to include her work Eileen is delighted to be included in The Review of Contemporary Poetry launched at The Ledbury Festival, a beautiful book aimed at raising funds for The Stroke Association. This book has been recommended by Andrew Motion whose work is included in it as well as poems by Brian Patten, Al Alvarez and others.
She is the Profile Poet in the Spring 2009 edition of First Time poetry magazine and will feature in an upcoming interview in Krax to be published later this year.
In 2009 the poet and fiction writer Annie Clarkson read Eileen's first collection and here is a small extract from her review...
'Many of these are quite beautiful. 'Between', explores the relationship between Sylvia Plath and Ted Hughes, without explicitly saying who the couple is in the poem. It explores facts/fictions of their relationship, how:
Vultures scavenged for the meat,
still they scrap over the bones
There is a wonderful poem about homeless people in a creative writing class: 'pavement souls/ graze on poetic grassland /and I pick up the crumbs.'
And the poems I was most drawn to, relate to family and a past life/past lives...'
December
Since the publication of her first collection, the work of Eileen Carney Hulme has continued to be published regularly in a number of small press poetry magazines including Poetry Scotland, Envoi, Reach Poetry, Poetry Cornwall and The Dawntreader.
You can read more about Eileen and her work on the following website:
poetry pf.
If you would like to read about her latest poetry competition successes please visit the news pages here. Updates will appear here for news of her 2nd collection from bluechrome in 2009.
To end 2007 or is it to begin 2008, one of Eileen's poems, Loss, taken from her collection Stroking The Air, appeared in the January 2008 edition of Writer's Forum magazine, as part of Sarah Willans poetry workshop 'How free is free verse?' The poem was used as an example of how to use line breaks skilfully...unfortunately due to copyright I cannot reproduce the article but here is a link to purchase the magazine - Writer's Forum.
Although the site has not been updated regularly this year, Eileen would like to reassure all readers that the poetry continues and watch this space for some exciting news in 2008.
Meanwhile Eileen has continued to be published in poetry magazines, anthologies and internet websites, she recently won the Reader's vote for best poem in Reach poetry magazine, for a sonnet entitled Lizard Dreams.
She was Highly Commended in The Hastings International Poetry Competition 2007 for the poem When the Moon Turns, she was placed 2nd in The Dawntreader Poetry Awards 2007 for the poem The Dream Path and she recently won a library poetry competition for her poem Goodbyes and was invited to read the winning poem at a very successful presentation evening where 48 people attended.
August
In 2006 the work of Eileen Carney Hulme has been published in various small press poetry magazines, anthologies and internet poetry websites.
Her work has been Highly Commended in several poetry competitions, the most recent of these, being The Partners 21st Poetry Competition where she had two poems Highly Commended and also the City of Derby Short Story and Poetry Competition.
In June Eileen was invited back to take part once again in The Nairn Book and Arts Festival. She took to the stage with three other writers in front of a full house at The Little Theatre in Nairn.
This month a review of Eileen's book Stroking The Air appeared in the substantial annual review section of Krax magazine.
"A cheap price for a beautiful book of stark, sparse and direct poems. Students will pick up on Eileen's work and clamour for more books. Much like Richard Brautigan's mid-period poems, full of angst and unrequited loves and yet having that atmosphere of a tender moment that made it all worthwhile. As with Mr B. when you get to the end you'll just want to go back and read it all again. The powerful draw of the writing makes you need to 'be there'. For anyone whose favourite writer has deceased, retired or just "gone off" Eileen is your salvation for the future. Superb!"
January
Preview copies of Stroking The Air distributed.